The post you’re reading now was composed on Wednesday evening of the previous week—and before I begin, I apologize to everyone who may have already been clued into this news (I talked about it on Facebook…but not everyone in the
TDOY faithful is into the whole [anti]social media thing);
an article that I read at the MeTV website sort of planted the seed of inspiration, and I knew I needed to cobble together something fast and economical because of the weekend busyness.
Back about this same time last year, I mentioned that our DISH network system started carrying WGTA (channel 32), a local TV station in Toccoa (the “GTA” stands for “Greenville to Atlanta”) …and because WGTA’s programming consisted of the substations Heroes & Icons (32.1), Decades (32.2), and Movies! (32.3), our DISH had the full Heroes & Icons lineup—a rarity in the world of DISH, since they don’t usually carry substations.
In January of this year, there was an announcement that MeTV would be available on our DISH Channel 32 starting March 25, because WSB-TV—which originally carried MeTV as a substation—had dropped it, switching to Escape. (And not the good kind—“designed to free you from the four walls of today.”) The addition of MeTV as a WGTA substation meant all the other substations moved down a peg in terms of OTA (off the air)—Heroes & Icons is now 32.2, Decades 32.3, and so on.
The news that MeTV would once again be available in the House of Yesteryear was, as you may have guessed, warmly welcomed; sure, I experienced a small amount of initial disappointment (I was only a handful of episodes from a complete collection of
Broken Arrow) that gave way to me being extremely jazzed because MeTV offers a good deal more variety in their classic TV programming. (Also, too; I would gain access to reruns of
Our Miss Brooks and
77 Sunset Strip—two series not yet released to DVD.) I’m not happy that these shows are heavily edited in order to cram in the commercials my father constantly bitches about…but a thirsty man never turns down a glass of water. I’m not joking about the ads on MeTV, by the way; I tried to persuade His Lairdship to start watching
Gunsmokeon MeTV at 1pm EDT weekdays because they show two of the half-hour episodes back-to-back and he’s seen all of the color hour-long episodes they run on TVLand at that same hour. (He claims he hasn’t…but this is incorrect, because I’m usually in the living room with him and I
know I have.) He gave up after one thirty-minute episode. “Too many commercials,” he griped. (I’ve been away from TVLand too long—I was not aware they were now ad-free.)
The amusing thing about MeTV is that on their current schedule, they run back-to-back episodes of
The Andy Griffith Show at 8pm EDT weekdays (7pm EDT Sundays)—but only in
selectedareas. If they’re running
TAGSon another station in your viewing area, MeTV substitutes those reruns with…
wait for it…
Mayberry R.F.D. (“Every time I think I’m
out—
they pull me back in!”) Now comes an announcement that the network is going to work the
TAGS episodes from 1965-68 into the rotation. That’s right. The color episodes. The Mayberrys That Dare Not Speak Their Name.
I know many people—I think we even heard from them in the comments section when I was doing the
Mayberry Mondays posts—who will not only refuse to watch
The Andy Griffith Show in color…they vehemently deny the period ever existed. And I get this—I really do. There are a lot of
TAGSepisodes from the color era—a
lot of episodes—that clearly illustrate that sitcom was running on fumes once Don Knotts said “I’m off like a prom dress.” I think Don’s departure is the chief explanation for the hostility toward the Mayberry color era—replacing the Barney Fife character (even though Knotts returned on several occasions in a guest-star capacity) with that doofus played by Jack Burns was an idiotic decision that would not be equaled until they rolled out New Coke. And I say this as a guy who
likes Jack Burns…I just believe his "Warren Ferguson" was not a good fit where Mayberry was concerned, and in the MeTV article (
“The Color Seasons of ‘The Andy Griffith Show’ are Great and Here’s Why”) the author amusingly notes “the character only appears in 11 episodes before mysteriously vanishing to wherever Chuck Cunningham went.”
The article makes some good arguments…and some not-so-good. Their first bullet point, “Howard Sprague is a wonderfully milquetoast character,” is the strongest argument they could make (I’m going to assume that’s why it was first); it’s no accident that, as I have stated in the past, Howard is usually at the center of the one laugh-out-loud moment in every episode of
Mayberry R.F.D.…and the subject of that show’s funnier episodes (
“The Panel Show,” “The Caper,” “The Mynah Bird,” etc.). My fellow Facebook denizens and I discussed this article a bit, with many of MeTV's points greeted with all the enthusiasm of drinking warm beer. I believe it was
Andrew “Grover” Leal who had his flabber gasted at #4, “Road Trips”—personally, I didn’t have a problem when Andy, Opie, and Aunt Bee made the trek to Hollywood…because if it was good enough for Lucy and Ricky Ricardo, it was good enough for the Taylors.
The only item on the MeTV list that found me searching for where in my skull my eyes had rolled to was #7, “Aunt Bee Gets to Do a Lot More.” Mr. Leal persuasively argues: “[They] were trying too hard to fill the ‘Barney does something wacky’ gap,” and I have to agree (while at the same time believing “The Mayberry Chef” to be one of the stronger final season episodes). I might be persuaded to side with MeTV if I stopped to consider that with every “wacky” Aunt Bee installment that meant less time spent with Mayberry’s resident fix-it savant and wife-batterer, Emmett Clark. As I told Facebook chum Jason Beard: “…I have stared into the
R.F.D. abyss, and I know that even on its
worst color-saturated day
TAGS was better.”
I think that last part might be the number one reason I’m not as filled with revulsion with a color Mayberry as some. You see (this is the portion of the blog where I tell a sad childhood story—please, no tears), we didn’t get a color TV set until 1976. Mayberry was
always in black-and-white when I was a kid. Sure, some of town’s residents either vanished (Otis, Ernest T.) or moved away (Barney, Floyd), but for the younger Ivan, that sleepy little North Carolina hamlet remained in its monochromatic state until the day my father decided that color TV was no longer a fad and was here to stay. (Yes, he never misses an opportunity to ride me about my love of black-and-white TV shows and movies—completely missing the irony that my childhood might have had something to do with that.)
So bring on the color episodes of
The Andy Griffith Show, MeTV. The channel is also running announcements of the return of
Rhoda (yay!) and
Remington Steele (snore) …I just hope this isn’t going to interfere with my burgeoning
Our Miss Brooks collection.
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